Archives: Bandi

Movie list for all courses   4 passi fra le nuvole – Alessandro Blasetti, 1942 Ossessione – Luchino Visconti, 1943 Roma città aperta – Roberto Rossellini, 1945 Paisà – Roberto Rossellini, 1946 Sciuscià – Vittorio de Sica, 1946 L’onorevole Angelina – Luigi Zampa, 1947 Ladri di biciclette – Vittorio de Sica, 1948 La terra trema

TIPS FOR PREPARING FOR THE SELECTION Animation production requires creativity, visual imagination, technical and organisational skills, a great deal of patience, the ability to accept criticism and direction, a team-working attitude and, above all, the drive and desire to make films and to tell stories to an audience. Compare yourself with this profile: do you

A good knowledge of art history is required, especially with regard to the following painters: Antonello da Messina, Piero della Francesca, Bronzino, Caravaggio, Vermeer, Hogarth, Longhi, Liotard, Gainsborough, Füssli, David, Ingres, Géricault, Hayez, Daumier, impressionisti francesi, Boldini, Sargent, Toulouse Lautrec. Films to know and comment (10 to be chosen among the following titles): Giovanna d’Arco

A good knowledge of art history from photography is required Recommended manuals: La fotografia nel film, voll. I e II – Blain Brown, Audino La camera chiara – Roland Barthes, Einaudi Storia della luce – Vasco Ronchi, Laterza Recommended reading: La luce necessaria. Conversazione con Luca Bigazzi, edited by Alberto Spadafora (Artdigiland, 2014, second updated edition) [available

Recommended reading: Tempo e spazio nel cinema – a cura di Carlo Grassi, Bulzoni, 1987 Prassi del cinema – Noel Burch. Il Castoro, 2000 Manuale di Montaggio: tecnica dell’editing nella comunicazione cinematografica e audiovisiva – Diego Cassani, Utet, 2006 L’immagine movimento. Cinema 1 – Gilles Deleuze, Ubulibri L’immagine tempo. Cinema 2 – Gilles Deleuze, Ubulibri

Recommended manuals: Come si produce un film, voll. I-IV – C. Biondi, Audino, 2001-2002 Diritto cinematografico – Luciano Menozzi, CSC, 1995 e Marsilio, 1996; Come nasce un film – Giannandrea Pecorelli, Gremese, 2008 Films to know and comment (10 to be chosen among the following titles): Come vinsi la guerra – Buster Keaton, 1927 Luci

To take part in the possible second stage of the selection process (interview), a good knowledge of the history of Italian cinema from the post-war period to the present day is required. During the interview, candidates may in fact be asked questions about the most representative films of our national cinema. Studying a history of