{"id":115645,"date":"2023-03-06T17:21:09","date_gmt":"2023-03-06T16:21:09","guid":{"rendered":"https:\/\/www.fondazionecsc.it\/csc-cineteca-nazionale-e-cinematheque-francaise-presentano-il-restauro-di-thais-mitico-film-futurista\/"},"modified":"2023-03-14T14:27:31","modified_gmt":"2023-03-14T13:27:31","slug":"csc-cineteca-nazionale-e-cinematheque-francaise-presentano-il-restauro-di-thais-mitico-film-futurista","status":"publish","type":"post","link":"https:\/\/www.fondazionecsc.it\/en\/csc-cineteca-nazionale-e-cinematheque-francaise-presentano-il-restauro-di-thais-mitico-film-futurista\/","title":{"rendered":"Restored version of Thais, the Italian futurist rarity directed by Anton Giulio Bragaglia, to premiere in Paris at the Toute la m\u00e9moire du monde film festival"},"content":{"rendered":"\n<p>Shot in the Fall of 1916 and released in theatres a year later, <em>Thais<\/em> is the only extant film of the four directed by Anton Giulio Bragaglia in his early, avant-garde career, in this case along with film director <strong>Riccardo Cassano<\/strong>. Considered as a cult movie of Italian Futurism, <em>Thais<\/em> has survived <strong>thanks to an incomplete vintage print<\/strong> (740 mt of 1446 mt total footage as per censorship records) <strong>with French intertitles owned by the Cin\u00e9math\u00e8que fran\u00e7aise <\/strong>and a <strong>1970\u2019s black and white duplicate that Henri Langlois had had done<\/strong>. Rarely screened, often resorting to poor-quality prints, <em>Thais<\/em> risked destruction as the tinted print began to show several marks of decomposition; in 2021, the Italian Cineteca Nazionale approached the Cin\u00e9math\u00e8que fran\u00e7aise to rescue the film and acquire a print, which led to a collaboration for its restoration.<\/p>\n\n\n\n<p>The film\u2019s heroine is an eccentric countess, played by <strong>Russian actress Tha\u00efs Galitzky,<\/strong> who lives in a house decorated with hypnotic geometrical shapes. She makes a game of seducing married men, dragging them to ruin, but when she pursues the husband of her best friend, the latter sets out on a tragic horse ride and kills herself. Now repentant, Thais also decides to commit suicide by gas and shuts herself in a room, where she remains deadly trapped in spite of a late change of heart.<\/p>\n\n\n\n<p>The current value of <em>Thais<\/em> lies in a dissonant storytelling compared to the standards of the time, in the symmetrical passions of the two heroines, and, most importantly, in the refined costumes and eclectic production design, made by <strong>futurist artist Enrico Prampolini<\/strong>, revealing Secessionist, Surrealist, and abstract influences.<\/p>\n\n\n\n<p>The <strong>restoration<\/strong> focussed on the analysis and rescue of the <strong>flammable print of the period<\/strong>, including parts of the 1970\u2019s duplicate when the footage was too damaged. Thanks to the resulting new version, however incomplete, the audience can now appreciate the recovered surviving colours that, to some extent, have revived the work\u2019s chromatic texture.<\/p>\n\n\n\n<p>The film will premiere Saturday <strong>March 11, 2023<\/strong>, 2 p.m., at the <strong>Salle Jean Epstein<\/strong>, with the <strong>introduction of C\u00e9line Gailleurd, Maria Assunta Pimpinelli, and Herv\u00e9 Pichard<\/strong> and the musical accompaniment of <strong>Adrien Leconte and Lo\u00efc Vergnaux<\/strong>.<\/p>\n\n\n\n<p>After the Parisian event, <em>Thais<\/em> will also have an Italian \u2018debut\u2019 by the end of 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shot in the Fall of 1916 and released in theatres a year later, Thais is the only extant film of the four directed by Anton Giulio Bragaglia in his early, avant-garde career, in this case along with film director Riccardo Cassano. Considered as a cult movie of Italian Futurism, Thais has survived thanks to an<\/p>\n","protected":false},"author":14,"featured_media":115132,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[145],"tags":[],"class_list":["post-115645","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cineteca-nazionale-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Restored version of Thais, the Italian futurist rarity directed by Anton Giulio Bragaglia, to premiere in Paris at the Toute la m\u00e9moire du monde film festival - Centro Sperimentale di Cinematografia<\/title>\n<meta name=\"description\" content=\"Shot in the Fall of 1916 and released in theatres a year later, Thais is the only extant film of the four directed by Anton Giulio Bragaglia in his early,\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fondazionecsc.it\/en\/csc-cineteca-nazionale-e-cinematheque-francaise-presentano-il-restauro-di-thais-mitico-film-futurista\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Restored version of Thais, the Italian futurist rarity directed by Anton Giulio Bragaglia, to premiere in Paris at the Toute la m\u00e9moire du monde film festival - 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