{"id":102836,"date":"2022-05-03T12:17:13","date_gmt":"2022-05-03T10:17:13","guid":{"rendered":"https:\/\/www.fondazionecsc.it\/xx-secolo-linvenzione-piu-bella-inizia-il-9-maggio-la-quarta-parte-della-rassegna-promossa-da-csc-cineteca-nazionale\/"},"modified":"2022-05-10T13:02:44","modified_gmt":"2022-05-10T11:02:44","slug":"xx-secolo-linvenzione-piu-bella-inizia-il-9-maggio-la-quarta-parte-della-rassegna-promossa-da-csc-cineteca-nazionale","status":"publish","type":"post","link":"https:\/\/www.fondazionecsc.it\/en\/xx-secolo-linvenzione-piu-bella-inizia-il-9-maggio-la-quarta-parte-della-rassegna-promossa-da-csc-cineteca-nazionale\/","title":{"rendered":"XX Secolo. The fourth part of the retrospective kicks off on May 9, in Rome at cinema Quattro Fontane"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\"><strong>&nbsp;&nbsp;<\/strong><\/h1>\n\n\n\n<p><em><strong>XX SECOLO. L\u2019INVENZIONE PI\u00d9 BELLA<\/strong>&nbsp;(20th Century. The Most Beautiful Invention), the program promoted by the&nbsp;<strong>CSC &#8211; Cineteca Nazionale<\/strong>, is entering the last stretch of its first, successful edition, a&nbsp;<strong>fourth and final part<\/strong>&nbsp;&#8211; scheduled from&nbsp;<strong>May 9 to June 29<\/strong>&nbsp;&#8211; which will bid farewell to the audiences of Rome and Florence and at the same time renew the appointment to next year for a new season of great cinema.<\/em><br><\/p>\n\n\n\n<p><em>Curated, as always, by&nbsp;<strong>Cesare Petrillo<\/strong>&nbsp;(one of the most authoritative connoisseurs, not only in Italy, of &#8220;classic cinema&#8221;, and founder, with Vieri Razzini, of Teodora Film), the fourth part &#8211; again at the&nbsp;<strong>Quattro Fontane<\/strong>&nbsp;in&nbsp;<strong>Rome<\/strong>&nbsp;and at the&nbsp;<strong>La compagnia<\/strong>&nbsp;in&nbsp;<strong>Florence<\/strong>&nbsp;&#8211; opens on&nbsp;<strong>Monday, May 9<\/strong>, with a homage to one of Hollywood&#8217;s greatest stars,&nbsp;<strong>CLAUDETTE COLBERT<\/strong>. Then, for five weeks, the program will be painted black, or rather&nbsp;<strong>NOIR<\/strong>, with a tribute to one of the main genres of American cinema, capable of nourishing the collective imagination all over the world thanks to its dark and disturbing atmospheres.&nbsp;<\/em><em>A completely different atmosphere, from&nbsp;<strong>June 20th<\/strong>, with a tribute &#8211; in the centenary of her birth &#8211; to an authentic icon,&nbsp;<strong>JUDY GARLAND<\/strong>.<br><br>Another anniversary, this time an all-Italian one, closes the programming of this first season: June 29 marks the 100th anniversary of the birth of&nbsp;<strong>MAURO BOLOGNINI<\/strong>&nbsp;who, since the late 1950s, directed highly successful films, including&nbsp;<\/em><strong>Il bell&#8217;Antonio<\/strong>&nbsp;<em>(<\/em>Handsome Antonio<em>), and had an uncommon ability to range across genres, eras and social classes, telling the story of the &#8220;outcast&#8221; Rome of Pasolini (<\/em><strong>La notte brava<\/strong><em><strong>,&nbsp;<\/strong>aka T<\/em>he Big Night<em>) and Tuscany at the end of the 19th century (<\/em><strong>La viaccia<\/strong><em>, aka&nbsp;<\/em>The Love Makers<em>), the working class of&nbsp;<\/em><strong>Metello<\/strong>&nbsp;<em>and the corrupt and suffocating bourgeoisie of&nbsp;<\/em><strong>Fatti di gente per bene<\/strong><em><strong>&nbsp;<\/strong>(<\/em>The Murri Affair<em>). Why, then, is Bolognini so neglected? Perhaps precisely because of his &#8220;eclecticism&#8221; that makes it difficult to pigeonhole him into a precise category (political cinema, comedy Italian-style), and that risks overshadowing not only the formal qualities of his cinema &#8211; always so controlled in the choice of shots, so precise in reconstruction, so careful in the use of color and black and white &#8211; but also the sincerely humanist spirit, far from any moralism, that informs all his work.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;&nbsp; XX SECOLO. L\u2019INVENZIONE PI\u00d9 BELLA&nbsp;(20th Century. The Most Beautiful Invention), the program promoted by the&nbsp;CSC &#8211; Cineteca Nazionale, is entering the last stretch of its first, successful edition, a&nbsp;fourth and final part&nbsp;&#8211; scheduled from&nbsp;May 9 to June 29&nbsp;&#8211; which will bid farewell to the audiences of Rome and Florence and at the same time<\/p>\n","protected":false},"author":14,"featured_media":102443,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[145,136,147,148],"tags":[],"class_list":["post-102836","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cineteca-nazionale-en","category-library","category-news-home-page-en","category-scuola-nazionale-di-cinema-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XX Secolo. 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