{"id":39578,"date":"2019-11-26T14:33:27","date_gmt":"2019-11-26T13:33:27","guid":{"rendered":"http:\/\/www.fondazionecsc.it\/mostre-virtuali-biblioteca-luigi-chiarini\/mostra-degli-spartiti-musicali\/"},"modified":"2020-04-23T17:05:24","modified_gmt":"2020-04-23T15:05:24","slug":"mostra-degli-spartiti-musicali","status":"publish","type":"page","link":"https:\/\/www.fondazionecsc.it\/en\/mostre-virtuali-biblioteca-luigi-chiarini\/mostra-degli-spartiti-musicali\/","title":{"rendered":"DISPLAY OF MUSICAL SCORES"},"content":{"rendered":"\n    <script>\n        jQuery(function() {\n        });\n    <\/script>\n<section id=\"c2i-breadcrumbs-page\" class=\"c2i-breadcrumbs\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12\">\n                <div class=\"c2i-breadcrumbs-area\"><a href=\"https:\/\/www.fondazionecsc.it\/en\/\">Home<\/a> > DISPLAY OF MUSICAL SCORES<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n\r\n            <script>\r\n                jQuery(function() {\r\n                });\r\n            <\/script>\r\n        <section class=\"c2i-titolo\">\r\n            <div class=\"container\">\r\n                <div class=\"row\">\r\n                    <div class=\"col-12\">\r\n                        <div class=\"c2i-titolo-container\">\r\n        <div class=\"c2i-titolo-title\"><h1>Display of musical scores<\/h1><\/div><div class=\"c2i-titolo-txt\"><p>The Luigi Chiarini Library contains a large number of illustrated scores of songs from films. This material is often considered of minor importance, but is actually evidence of the variety of ways that cinema culture was promoted during the 20th century: in this case by means of songs, a typical popular national product.<\/p>\n<\/div>\r\n                        <\/div>\r\n                    <\/div>\r\n                <\/div>\r\n            <\/div>\r\n        <\/section>\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n    <script>\n        jQuery(function() {\n        });\n    <\/script>\n<section class=\"c2i-testo c2i-testo-big c2i-testo-center\">\n    <div class=\"container\">\n        <div class=\"row\">\n            <div class=\"col-12\">\n<div class=\"c2i-testo-title\"><p>The gallery of images aims to illustrate the variety of cinematographic genres with which these song scores were associated, as well as the particular graphic designs used to make them more attractive for the purchaser. The publishers of the time used illustrations mainly for publicity reasons, to attract the general public. The scores were given brightly-coloured covers, sometimes embellished with ornamental motifs, but they were mainly of fascination to the public because they showed portraits of the latest stars and matinee idols. The score therefore became a sort of advertising space, designed as a concise way of hinting at another product (the film) and acting a miniature poster in the shop window.<br \/>\nThe items we selected came from two bibliographical endowments: the <strong>Luciano Michetti Ricci Fund<\/strong>\u00a0(see &gt;\u00a0 <a href=\"https:\/\/www.fondazionecsc.it\/en\/mostra\/fondo-luciano-michetti-ricci-prima-parte\/\"><strong><em>First part<\/em><\/strong><\/a>\u00a0and &gt;\u00a0 <a href=\"https:\/\/www.fondazionecsc.it\/en\/mostra\/fondo-luciano-michetti-ricci-seconda-parte\/\"><strong><em>Second part<\/em><\/strong><\/a> ) and the <a href=\"https:\/\/www.fondazionecsc.it\/en\/mostra\/fondo-adriana-berselli\/\"><strong>Adriana Berselli Fund<\/strong><\/a>.\u00a0Some of the older examples, although not directly linked to any film, are also of great interest as they are the product of a transition phase between the world of theatre and the world of cinema. Such is the case with <em>Cinq minutes au cin\u00e9-journal: chanson montmartroise: Mayol &amp; Dranem<\/em>, which signals the change in fashion from &#8220;caf\u00e8-chantant&#8221; to the new attraction of the Pathe newsreels. \u00a0Or there is <em>Charlot!..: one step<\/em>, a song sheet which shows the recent transformation of the Chaplin persona into a proper stock character, achieved in a manner still typical of the theatre.<br \/>\nOther scores, dating from the 1930s to the 1950s, were chosen partly because of the success of the songs, which have now become symbolic of a particular era: <em>Parlami d&#8217;amore Mari\u00f9<\/em>, <em>Besame mucho<\/em>, <em>Mamma, Ma l&#8217;amore no,<\/em> and <em>Ti voglio tanto bene.<\/em> Another factor, however, was the fame of the singers involved: Beniamino Gigli, Gino Bechi, Al Jonson, and Alberto Rabagliati, or indeed of the composers: Cesare Andrea Bixio, Nino Rota, and Carlos Gardel. In other cases, the choice fell on those song sheets which carried pictures of stars on their covers, either already famous or about to become so. Such is the case with <em>Maruska<\/em> and the dazzling Dolores del Rio, <em>Principessa Tam Tam<\/em> featuring the exotic diva Josephine Baker, or <em>Le Sheik<\/em> from the film starring that Latin lover, Rudolph Valentino. Then there is <em>Mambo Bacan<\/em>, taken from the film that launched Sofia Loren, <em>Long ago<\/em> dominated by the wonderful Rita Hayworth, or <em>Canzone sospirata<\/em>, from the film featuring Caterina Boratto and Vittorio De Sica.Although these &#8220;cultural objects&#8221; might be considered slightly eccentric they also provide us with a wealth of information. We believe they can be used to not just highlight a form of musical taste but also to inform us about the aesthetic sensibilities of a particular era.<\/p>\n<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-bootstrap-blocks-container container mb-2 row-line\">\n\t\n<div class=\"wp-bootstrap-blocks-row row\">\n\t\n\n<div class=\"col-12 col-md-4 no-margin-mobile\">\n\t\t\t\n\n    <script>\n        jQuery(function() {\n        });\n    <\/script>\n<section class=\"c2i-testo c2i-testo-normal\">\n    <div class=\"container\">\n        <div class=\"row\">\n            <div class=\"col-12\">\n<div class=\"c2i-testo-title\"><h2 style=\"text-align: center\"><a href=\"https:\/\/www.fondazionecsc.it\/en\/mostra\/fondo-luciano-michetti-ricci-prima-parte\/\">Luciano Michetti Ricci Display (first part)<\/a><\/h2>\n<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\t<\/div>\n\n\n\n<div class=\"col-12 col-md-4\">\n\t\t\t\n\n    <script>\n        jQuery(function() {\n        });\n    <\/script>\n<section class=\"c2i-testo c2i-testo-normal\">\n    <div class=\"container\">\n        <div class=\"row\">\n            <div class=\"col-12\">\n<div class=\"c2i-testo-title\"><h2 style=\"text-align: center\"><a href=\"https:\/\/www.fondazionecsc.it\/en\/mostra\/fondo-luciano-michetti-ricci-seconda-parte\/\">Luciano Michetti Ricci Display (second part)<\/a><\/h2>\n<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\t<\/div>\n\n\n\n<div class=\"col-12 col-md-4\">\n\t\t\t\n\n    <script>\n        jQuery(function() {\n        });\n    <\/script>\n<section class=\"c2i-testo c2i-testo-normal\">\n    <div class=\"container\">\n        <div class=\"row\">\n            <div class=\"col-12\">\n<div class=\"c2i-testo-title\"><h2 style=\"text-align: center\"><a href=\"https:\/\/www.fondazionecsc.it\/en\/mostra\/fondo-adriana-berselli\/\">Adriana Berselli Display<\/a><\/h2>\n<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\t<\/div>\n\n<\/div>\n\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":39580,"parent":39570,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/fullwidthpage.php","meta":{"_acf_changed":false,"footnotes":""},"settore":[80],"class_list":["post-39578","page","type-page","status-publish","has-post-thumbnail","hentry","settore-biblioteca-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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